FONTS:
In metal typesetting, a font was a particular size, weight and style of a typeface. Each font was a matched set of type, one piece for each glyph, and a typeface consisting of a range of fonts that shared an overall design.In typography, a typeface is a set of one or more fonts each composed of glyphs that share common design features. Each font of a typeface has a specific weight, style, condensation, width, slant, italicization, ornamentation, and designer or foundry.
- Serif. Serif typefaces are arguably the most traditional category of type. ...
- Sans Serif. Sans serif typefaces lack any embellishment on the ends of letterforms, taking on a more simple shape. ...
- it is use to change your fonts style and etc.
there are many, including some crazy ones that defy categorization. Typographers, typeface designers, and others interested in the history of typography might tell you that there are many classifications, each with their own historical and technical definitions, and they’d be right. Some classifications you may have heard of include Old Style, Blackletter, or Humanist. But we’re not going to concern ourselves with those in this article (though if you’re interested, there are plenty of resources you can find online, like this one). Instead, we’re going to focus on four basic font categories that will be useful to understand when you’re going about choosing a suitable font, combining fonts for your design project, or discussing your type choices with other people.
1) Serif: Serif fonts have little “feet” or lines attached the ends of their letters. They’re generally thought to look more serious or traditional.
2) Sans-Serif: “Sans-serif” literally means “without serif” — these fonts don’t have the extra lines on the ends of letters. For that reason, they’re generally thought to look more modern and streamlined.
Though this point is often debated, it’s commonly said that serifs make long passages (in print) easier to navigate visually, helping move your eyes along the lines of text. However, because serifs are usually small and thin, they often don’t display as well on pixel-based screens (looking distorted and “noisy” rather than clear and crisp), so many designers favor sans-serif fonts for web use, especially at small sizes, like in logos.
3) Script: Scripts are what we might think of as cursive- or handwriting-style fonts. They generally have connecting letters. You’ll find that script fonts come in many different styles, from elegant, to fun and casual, to hand-drawn.
4) Decorative / Display: When you hear a font categorized as decorative, display, or novelty, it all means the same thing — that font is meant to get your attention. They’re often more unusual than practical and should only be used in small doses and for a specific effect or purpose.
